Press Contact
Manager, Performances & Events:
Randal Fippinger
rfippinger@williams.edu
(413) 597-4808
New International Solo Theatre Festival - Dialogue One, Directed by Omar Sangare
For
Immediate Release: October 29th, 2007
Dialogue One Williamstheatre
presents a Solo Theatre Festival
December
6th - 8th, 2007
WILLIAMSTOWN, MA
Williamstheatre announces the US
and International artists participating in the 2007 Dialogue One Solo Theatre
Festival. The Festival is designed to include professional artists as well as
all students. “Dialogue One is an occasion to share diverse perspectives that
span cultural, perceptional, linguistic, professional or personal similarities
and differences between people,” says Professor Omar Sangare of the Williams College Theatre Department.
Williamstheatre students perform Madame Tussaud, LIVE; a compilation of four solo performances. Ilya Khodosh ’08 plays Meyer
Lansky, a character modeled on the gangster of the same name. Andres Lopez ‘09 playsBud, a character
modeled onMarlon Brando. Amanda O’Connor ’10 plays Maréchal Lannes, a character modeled on a
friend of Napoleon Bonaparte, in a piece titled The Last Battle of Lannes; and Terence Tamm ’08 plays a character modeled on the writer Jack
Kerouac, in a piece titled On the Rocks.
Professional offerings include The
Story of My Dovecote, based on a short story from Stories from Odessa by the Jewish author Isaac Babel. This solo
performance, performed in 4 languages (English, Russian, German, Polish),
reproduces the unique atmosphere of Jewish life and culture in former East Europe. Directed by Johannes-Talmon-Gros, Herbert
Kaluza plays Arye-Leib, a man who tells the story of how his father gave
him a pigeonry as a gift when he was a child. Going to the marketplace in Odessa to buy some
pigeons, he had his first experience with a pogrom. The Story of My Dovecote has
won numerous international awards including Best Actor given by the International Network of
One-Man-Show-Festivals.
Vamping is a dynamic, multi-media solo work
created and performed by Kali Quinn
and GUTWorks. Through a series of
virtuoso transformations, master performer Kali Quinn introduces the audience
to a group of five unforgettable characters, all connected to a 91-year old
woman who is struggling with senile dementia. Through movement and the creative
use of a wheelchair, along with her ability to voice young and old, male and
female, angry and kind, Quinn creates a unique and riveting theatrical
experience. The additional element of director Jonathan Maloney‘s unique video
montage sequences allows the audience to go back in time and into the aging
mind. “Quinn, Burmester, and
Maloney have brought to life a powerful new piece that
deserves a longer run and as much attention as it can grab,” says Josh Sherman
of nytheatre.com.
Oblivious To Everyone, conceived by Playwright/Performer Jessica Lynn Johnson,
explores the media’s portrayal of and influence on the style and psyche of the
modern woman. This 75 minute serio-comedycenters around the character of
Carrie, a self-proclaimed smut-aholic and avid talk show watcher, who is
seeking psychiatric evaluation after repeated complaints from friends and
family about her alleged multiple ‘personalities’. Rapidly flipping identities
like TV stations, the audience will discover just how oblivious this Paris
Hilton wannabe really is. Ms. Johnson portrays ten characters of different age,
sex, and race as a means to examine the influential stereotypes, prejudices,
and pressures American Media inflicts on our society. “The show is
hilarious! But the theme, it’s quite serious,” adds Fox 5 News/Toni Senecal.
What does it truly means to love one’s country? Jonathan Pereira weaves personal
stories of love, loss, and youthful expectations of romance and juxtaposes them
with similar romantic images of America.
American
Cake is solo work that encourages the exploration of controversial,
socially sensitive, or otherwise difficult topics through humor and satire.
Dialogue One marks Omar Sangare’s second year of innovative
projects at Williams
College. Professor
Sangare received his PhD from Theater Academy in Warsaw
where he studied with the Oscar winning director, Andrzej Wajda. Dr. Sangare
holds many film, television, and radio credits. For his one-man drama True Theater Critic, he was voted The
Best in Acting by The New York International Fringe Festival. Recently, the New York press acclaimed
his lead part in the Arena Players Repertory Theater production of Othello. Barbara Delatiner wrote for The
New York Times, “Omar Sangare was born to play Othello!” His published literary
work includes two books of poetry Landscape
of the Soul and Postscriptum;
collections of bestselling short stories titled Tales for Old Horse, Tales
for Black Sheep, Tales for Decent Man;
as well as many essays and articles for various magazines and newspapers.
Accompanied by great American writers such as Robert Pinsky, and Susan Sontag,
he promoted his Polish literature in the United States. In 2003, he released
his first solo album, “ON.” Professor Sangare defines the goal of
Dialogue One by the motto: “There are no
monologues. You are involved in dialogue at least with the Universe itself.”
Tickets: $3 Festival Pass for any event; seating on a
first-come-first serve basis. Box Office:
Tuesday to Saturday, 1:00 to 5 PM, 413-597-2425 Contact: Professor Omar Sangare Williams College (413) 597-4873
Randal Fippinger ’62 Center for Theatre and Dance (413) 597-4808 http://62center.williams.edu/62center/event.cfm?eid=111









